Sustainable Product Design

Design Thinking


Sustainability has rightly grown from a fringe idea about being ‘green’ to being a positive movement affecting all areas of our lives.

Within its wider definition of ‘development that meets the needs of the present without compromising the ability of future generations to meet their own needs’, the idea of sustainability has expanded to also consider outcomes that are environmentally, socially and financially responsible for the world as a whole.

Given the enormity of this and the range of values and competing positions which could be considered within this definition, sustainable design is not an easy objective to fully resolve.

However, the scale of the challenge shouldn’t be an excuse as to not to try. For whilst total sustainability may be an impossible dream, it is possible and readily achievable to do things better than we have in the past and to improve our world’s sustainability through good design.

Design: Problem or Solution

Most designers, at their core, have a desire to improve the world. But design and new product development are activities within our wider and imperfect world, so at times, and especially in the past designers have been part of the problem and not the solution.

New products can bring true benefits to people; people individually, people within companies or collectively within a society. For example, advances in diagnostic and therapeutic devices have improved health outcomes and the quality of life for most people in developed countries. There are countless other everyday examples. Although less noble, products like cordless kettles, multi-geared bicycles or quick-drying footwear are products that improve our daily lives through good design.


As well benefiting consumers, the very development and manufacture of products can also bring overall wealth and meaning to societies as witnessed in places such as Japan, Singapore and Eastern Europe to name just a few.

But design, along with corporate, marketing and economic agendas, continues to be used as an agent for meaningless change, pandering to developed societies’ insecurities and selfishness. Like the societies in which it operates, elements of design have become tools for wasteful consumption.

In these ways design is a contributor to the problem of sustainability. But for us, design that is exclusive, indulgent and aesthetically-driven is contrary to our core values and our view of design.

Good design = Green design

For some products up to 80% of a product’s environmental impact is defined during design and engineering stages, so careful design makes sense all round.

Good design principles, and CobaltNiche’s default approach, can have a substantial, positive impact on a product’s sustainability performance. Some of these principles include:

  • Performance; Functionality and ‘fitness-for-purpose’ are paramount to good design. When a user has his/her needs met by a well designed product they are more likely to keep and use the product without replacement or augmentation. In contrast a product that does not deliver on its implied purpose through poor performance or design is likely to be replaced or discarded prematurely.
  • Simplicity; To us good design seeks to be elegantly simple. A common mantra is ‘less is more’. As a rule we will always seek to develop designs with the minimum number of parts, processes and materials necessary to perform the required functions.
  • Manufacturing; Design for manufacturing and assembly (DFMA) is another basic design objective we use and equates to easy assembly and disassembly, a prerequisite for recycling.
Green design = Mainstream business

Its no coincidence these principles also make good business in terms of reduced cost of goods, brand-appeal and product quality.

And there is no doubt ‘sustainability’ is rapidly rising as a purchasing criteria for more and more consumers. Even if businesses don’t believe in the ideals, it simply makes business sense to give the market what it wants; more sustainable alternatives.

Over the next few years there will be a rise in overtly sustainable products, like water-saving plant pots or fair-trade homewares. This is no bad thing, but this is only a transitional trend and won’t be the main game. Already here and growing quickly, sustainability as a product attribute will be absolutely mainstream, much in the same way that ‘quality’ and ‘safety’ have become standard within successful brands rather than an extra option.
What are we doing about it?

We make it our business to learn, improve and keep trying to improve our response to the challenge of being more sustainable.

New sustainability tools to help guide designs are being developed constantly. CobaltNiche uses a variety of databases and online tools so that we have current information for:

  • Material properties (recyclability status, energy and water consumption rates)
  • LCA tools to help decide between design alternatives
  • Latest materials and products (low-power LEDs, motors, low-VOC paints)
  • International standards (RHOS2, WEEE)
  • Recycling acceptance and conventions

In terms of social sustainability through pro-bono support of community and industry initiatives we are connecting design with real-world problems. One of these is Designers with Soul, an initiative founded by Lorrin Windahl whilst a senior designer at CobaltNiche. Designers with Soul work with underserved communities in Africa to educate and develop sustainable and culturally sensitive solutions.

We are involved in an initiative that promotes and recognises socially sustainable manufacturing in Asia and developing countries.

Sustainability is complex and therefore takes effort to understand, keep abreast of and apply. Its worth it though and leadership of clients and organisations, sustainable design can be part of the solution.

Designers Accord

The Designers Accord is a global coalition of designers, educators, researchers, engineers, and corporate leaders, working together to create positive environmental and social impact.

As a design firm member/adopter, CobaltNiche undertake to

  • Initiate a dialogue about environmental and social impact and sustainable alternatives with each and every client.
  • Rework client contracts to favor environmentally and socially responsible design and work processes.
  • Provide strategic and material alternatives for sustainable design.
  • Undertake programs to educate our team about sustainability and sustainable design.
  • Consider our ethical footprint and pledge to reduce this annually.
  • Advance the understanding of environmental and social issues from a design perspective by actively contributing to the communal knowledge base for sustainable design.


Based in Australia, Cobalt Niche is a globally focused creative product design and development group. We operate locally as well as Asia, North America and Europe.

Fake Watches Swiss Hublot Replica Replica Rolex Audemars Piguet Replica Richard Mille Replica Omega Replica

Industrial Design : 3D Models : Sustainability DesignProduct Design MelbourneProduct Designers